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Dutch Bros. CEO Christine Barone sits down with Jim Cramer
  + stars: | 2024-05-08 | by ( Jim Cramer | ) www.cnbc.com   time to read: 1 min
In this videoShare Share Article via Facebook Share Article via Twitter Share Article via LinkedIn Share Article via EmailDutch Bros. CEO Christine Barone sits down with Jim CramerDutch Bros. CEO Christine Barone joins 'Mad Money' host Jim Cramer to talk expansion into new regions, quarterly earnings, customer trends and more.
Persons: Christine Barone, Jim Cramer Dutch, Jim Cramer Organizations: Bros, Jim Cramer Dutch Bros
In this videoShare Share Article via Facebook Share Article via Twitter Share Article via LinkedIn Share Article via EmailDutch Bros. isn't just about the drinks, it's about the service, says CEO Christine BaroneDutch Bros. CEO Christine Barone joins 'Mad Money' host Jim Cramer to talk expansion into new regions, quarterly earnings, customer trends and more.
Persons: Christine Barone Dutch, Christine Barone, Jim Cramer Organizations: Christine Barone Dutch Bros
Dutch Bros CEO Christine Barone discussed her company's expansion strategy in an interview with CNBC's Jim Cramer, saying the coffee chain focuses on training employees when they go to a new market. Barone said Dutch Bros is "on the path" to 4,000 stores and hit 876 locations this quarter. Dutch Bros beat analysts' expectations when it reported earnings Tuesday evening, and shares closed 11.79% higher Wednesday. The company's success follows a weaker-than-expected quarter from competitor Starbucks . Barone, who took over as CEO in January, attributed some of Dutch Bros' success to its emphasis on customer service.
Persons: Christine Barone, CNBC's Jim Cramer, Barone, they're, Laxman Narasimhan, We've Organizations: Dutch Bros, Bros, Starbucks Locations: Dutch, Oregon, West, Florida, Texas, Tennessee, East Coast
Peter Sellars wanted to know more. He was in San Francisco a few years ago, attending a performance of “The No One’s Rose,” a fascinatingly idiosyncratic work of music theater that featured some of his favorite artists, from the American Modern Opera Company, and a score by the young composer Matthew Aucoin. One section of the piece stood out: “Deep Water Trawling,” a setting of a poem by Jorie Graham that felt both human and not, both natural and spiritual. Most important, it seemed to have brought out something new, and special, in Aucoin’s writing. After the show Sellars, who at 66 has long been a reigning opera director, asked Aucoin, “What was that?”
Persons: Peter Sellars, , Matthew Aucoin, Jorie Graham, Sellars, Aucoin Organizations: American Modern Opera Company Locations: San Francisco
CNN —Renowned author Salman Rushdie has revealed more details about the knife attack that left him blind in one eye, telling CBS’ “60 Minutes” on Sunday that he had a “premonition” of the event just days beforehand. “I said to my wife, Eliza, ‘I don’t want to go’ because of the dream. And then I thought, ‘Don’t be silly, it’s a dream,’” he recalled. Hadi Matar, the man accused of stabbing Rushdie and another person on stage, pleaded not guilty to charges of second-degree attempted murder and second-degree assault. “I was watching (blood) spread and then thinking I was probably dying,” Rushdie added.
Persons: Salman Rushdie, Anderson Cooper, , Eliza, , ’ ”, Rushdie, , Satan, Prophet Mohammed, Iran’s, Ruhollah Khomeini, Kai Pfaffenbach, ” Rushdie, couldn’t, Hadi Matar, Nathaniel Barone, Barone, Booker, it’s Organizations: CNN, CBS, Chautauqua Institution, BBC, Reuters, New York, Defense Locations: New York, Mumbai, Islamabad
For the last decade, Heartbeat Opera has treated the classics like rough drafts: The scores of “Carmen” and “Madama Butterfly,” “Fidelio” and “Der Freischütz” have been starting points for something fresh, urgent and immediate. In New York, a city with fewer and fewer spaces for opera, Heartbeat sits harmoniously between the Prototype Festival, which stages new music theater at a chamber scale, and the grand tradition of the Metropolitan Opera. Heartbeat draws from the canon but reimagines it with an avant-garde spirit and an eye toward the issues of our time: gun violence, Black Lives Matter, the #MeToo movement. Performed on intimate stages, the resulting productions smartly elicit strong reactions, whatever those may be. I haven’t liked all of Heartbeat’s shows, but I’ve never walked away with a shrug, and I’ve never regretted going.
Persons: “ Carmen ”, , haven’t, I’ve, Tchaikovsky’s “ Eugene Onegin Organizations: Metropolitan Opera, Baruch Performing Arts Center Locations: New York
Like much music of longing and sorrow from this time — such as the sadly beautiful arias of Mozart’s operas — “Caro Mio Ben” is in a major key, and has endured as such for more than two centuries as a concert and recording staple. But that’s also where Beyoncé comes in. “Daughter” excerpts “Caro Mio Ben” as a bridge and distorts its major-key atmosphere into a minor one to fit with the rest of the song. In Beyoncé’s “If you cross me, I’m just like my father/I am colder than Titanic water,” you can hear a spiritual descendant of Carmen’s warning to “be on your guard” from another opera classic, the Habanera. She doesn’t have the voice of an opera singer, but that doesn’t really matter.
Persons: — “ Caro Mio Ben ”, that’s, Beyoncé, “ Caro Mio Ben ”, “ Carmen ”, I’m,
The chain's sales are "way stronger" in Texas, Arizona and Florida than in midwestern states such as Indiana and Wisconsin, according to Osanloo. For more mature companies such as McDonald's , it means accelerating new restaurant growth in areas where it's now underrepresented. It isn't just restaurants looking to the Sun Belt for sales growth. In addition to well-known chains, Greider has also seen restaurants with chef-driven name recognition traveling south from New York and Chicago. The chain's sales are growing again, according to Brix Holdings CEO Sherif Mityas, making it an opportune time to expand Friendly's footprint.
Persons: Portillo's, Michael Osanloo, you've, Justin Greider, Macy's, Phillips, Manu Steijaert, Greider, they've, that's, Carbone, Friendly's, Sherif Mityas, Mityas, we're, Christine Barone Organizations: Beef, CNBC, Northeast, Sun, Airlines, Dallas, Phillips Edison & Company, JPMorgan, Grill, Major Food Group, Brix Holdings, Brix, Bros Locations: Kissimmee , Florida, Chicago, Texas, Texas , Arizona, Florida, Indiana, Wisconsin, U.S, Midwest, Charlotte, Phoenix, Houston, Dallas, Fort Worth, Atlanta, Florida , Texas , Arizona, Georgia, North Carolina, New York, Miami, Massachusetts, Mississippi, Minneapolis, Southern California, California, Virginia
The start was typical: Oper Frankfurt in Germany asked John Cage to write an opera. But the premiere, in 1987, was unlike anything in opera up to that point. (Audience members also received varied plot synopses that read like opera Mad Libs.) The public wasn’t exactly equipped to receive what Cage had served them. Laura Kuhn, who runs the John Cage Trust and worked with him as he prepared “Europeras 1 & 2,” wrote in her dissertation on the piece that the reception in Frankfurt varied from “overt enthusiasm to no less overt bewilderment or disdain.”
Persons: John Cage, Libs, Cage, Laura Kuhn, Organizations: Oper, John Cage Trust Locations: Oper Frankfurt, Germany, American, Frankfurt
The Vienna Philharmonic hasn’t had a chief conductor since 1933. But it has had favorite conductors. The violinist Daniel Froschauer, the Philharmonic’s chairman, has said that today, the ensemble not so secretly has two maestros at the top of its roster: Riccardo Muti and Franz Welser-Möst. It takes a lot to win over the affection of the Philharmonic, one of Europe’s finest ensembles, just as it takes a lot to join its ranks. These players — known for their lush sound, their brighter, higher tuning frequency and their distinctly Viennese articulation — can be haughty and stubborn; I have seen them outright defy a conductor in rehearsal.
Persons: Vienna Philharmonic hasn’t, Leonard Bernstein, Pierre Boulez, Herbert von Karajan, Karl Böhm, Daniel Froschauer, Riccardo Muti, Franz Welser, Bruckner, Mahler, Berg, Hindemith, Schoenberg, Strauss, Ravel Organizations: Vienna Philharmonic, Carnegie Hall, Philharmonic Locations: Vienna, Austrian
It was time to smell Scriabin’s “Prometheus: The Poem of Fire.”This music, from 1910, has an element of synesthesia in its score, which calls for a color organ — a keyboard instrument that projects lights of a dozen hues — along with a full orchestra, a piano soloist and a choir. But in October at Davies Symphony Hall, the home of the San Francisco Symphony, the piece was being prepared with an additional sense in mind. Onstage, the pianist Jean-Yves Thibaudet practiced his solo part in “Prometheus,” which the San Francisco Symphony will perform March 1 through 3, while the conductor Esa-Pekka Salonen listened attentively to the wooden vortexes as they were being tested; the sound they made while emitting smoke, he noticed, was nearly a G.Mathilde Laurent, Cartier’s longtime perfumer, who had designed the scents, double-checked notes on her iPad. For this day’s test, without the orchestra, she wanted to be sure the diffusers were timed to match the music. So they were going to play a recording overhead.
Persons: Jean, Yves Thibaudet, Pekka Salonen, attentively, Mathilde Laurent, Cartier’s, perfumer Organizations: Davies Symphony Hall, San Francisco Symphony, San Francisco
Take Anders Hillborg’s second piano concerto, “The MAX Concerto,” which had its local premiere with the New York Philharmonic on Thursday. Programmed somewhat arbitrarily between works by Sibelius and Rachmaninoff, it was more entertaining than either of them, and just as well crafted. Likable without being eager to please, thrilling without shameless dazzle, it is, like Ax, enjoyable simply because it’s excellent. And, crucially, Hillborg’s concerto works regardless of how familiar a listener is with his music, or any classical music for that matter. Or you could just sit back and sense, intuitively, the genial majesty and pleasure coursing through it all.
Persons: Anders Hillborg’s, Sibelius, Rachmaninoff, Emanuel Ax, Ax, Manny Ax, Beethoven’s, , Bach Organizations: New York Philharmonic Locations: San Francisco
“I feel myself the most unhappy and wretched creature in the world,” Franz Schubert, suffering from syphilis and reeling from professional failures, wrote in March 1824 to his friend, the painter Leopold Kupelwieser. “I seem once again,” Schubert, then 27, wrote in his letter, “to have composed two operas for nothing.”He wouldn’t return to the genre again. And even after his death in 1828, at 31, when many of his works enjoyed posthumous adulation and were performed widely, none of his theatrical undertakings entered the standard repertoire. It’s surprising that opera eluded Schubert, who by most counts started about 20 stage works, completed fewer than a dozen and saw the premieres of just two. After all, he wrote some of the most beautiful vocal music in the repertoire: the song cycles “Die Schöne Müllerin” and “Winterreise,” and hundreds of beloved lieder like “Gretchen am Spinnrade” and “Ave Maria.”
Persons: ” Franz Schubert, Leopold Kupelwieser, , Schubert, , ” Schubert, “ Gretchen, Spinnrade Locations: Vienna, , Maria
“I loved London,” Cristina tells CNN Travel today. Matt’s family was staying at Claridge’s, the historic, swanky five star hotel in Mayfair. Matt’s parents knew he was going on a spontaneous date. “And then they would never forward the mail.”Cristina’s idea of writing to Matt’s parents’ address was a good one. After years of working and living in Italy, Matt’s fluent in Italian.
Persons: she’d, Cristina Farina, Cristina, , “ Let’s, they’d, , ” Cristina, Trafalgar Square’s, William Shakespeare’s “ Romeo, Juliet, London Here's Cristina, Matt, Matt Reinecke, Cristina gestured, he’d, Cristina couldn’t, Here's Matt, Cristina he’d, , ’ ”, welling, you’ll, wouldn’t, Weeks, Claridge’s, Matt hadn’t, Read, Matt’s, Matt wasn’t, Florence Matt, Matt reckons they’d, ” Matt, Cristina’s, Davide, Francesca, Cristina Farina Matt, they’re, ” Here's Matt, Ludovica Barone, They’ve, Organizations: CNN, Florence, Heathrow Airport, CNN Travel, Bond, Cristina’s Locations: London, Trafalgar, California, Claridge’s, Mayfair, Hyde, Italy, Europe, , Florence, Greece, San Francisco, Francisco, San Francisco’s, Prato , Tuscany, Thailand, Malaysia, Singapore, Indonesia, Australia, Milan, Turin, Tuscany, American, , Italian
Many of the “over-reported records” in the audit were because of bad data entry processes, "rather than intentional falsification of traffic stop data,” said the report, commissioned by Gov. The investigators, however, also said they found “significant failures” by state police in reporting accurate traffic stop information to a statewide databased used to analyze any potential racial profiling by police. The audit said 130 troopers had been identified as having a significant disparity between traffic stop information submitted to the database compared with the court system. State police have been reviewing the traffic citation data. What we have seen is information that provides explanations for why some of the data may have been inaccurate.”
Persons: , , Ned Lamont, Attorney Deidre Daly, , Lamont, Ken Barone, ” Barone Organizations: Gov, U.S, Attorney, University of Connecticut, UConn, Justice, Transportation Locations: HARTFORD, Conn, Seven Connecticut
Here are Wednesday's biggest calls on Wall Street: Citi reiterates Apple as buy Citi said it's standing by its top pick status on Apple shares. UBS downgrades Ford to neutral from buy UBS said it sees limited upside to estimates. TD Cowen downgrades Fisker to market perform from outperform TD said it sees too many growing pains for Fisker. KeyBanc initiates Rocket Lab as overweight Key said it sees upside for the rocket satellite company. "We initiate coverage on Rocket Lab USA (NASDAQ: RKLB) with an Overweight rating and $8 price target, reflecting ~50% upside."
Persons: Jefferies, Tesla, Elon, Ford, TD Cowen downgrades Fisker, JPMorgan downgrades Morgan Stanley, Morgan Stanley, it's, Christine Barone, Goldman Sachs, Goldman, Davidson downgrades Teladoc, Key, Evercore, Wolfe, Piper Sandler, TGT, BURL, SolarEdge, Mizuho, William Blair, it's bullish Organizations: Citi, Apple, Huawei, UBS, JPMorgan, Bank of America, Bros, Rocket Lab, Lithia, Dealers, Susquehanna, JetBlue Spirit, Deutsche Bank, Deutsche, EV, CART, Target, Barclays, Boeing, Airbus, Mizuho, Amazon, " Bank of America, Netflix Locations: China, 2Q24, 3Q24, Burlington
“Wolfram, wake up!” came a shout from the highest box seats of the Metropolitan Opera. “The spring is polluted!”At first, it seemed like an odd thing to throw at the character of Wolfram in Wagner’s “Tannhäuser,” which returned to the Met on Thursday night, with that role sung by the great baritone Christian Gerhaher in his company debut. (Indeed, his arrival was what made the night notable to begin with.) But that cry was the start of an unbroken stream of climate grievances, designed to coincide with Wolfram’s description, during the singing contest midway through Act II, of love as a miraculous spring. “The spring is tainted!” the protester up in the Family Circle continued, then dropped a banner that said, “No Opera on a Dead Planet.”
Persons: “ Wolfram, , Wolfram, Wagner’s “, Christian Gerhaher Organizations: Metropolitan Opera Locations: Wagner’s,
For example, the Joyce’s program features a duet of hers set to the 18th Etude. “My first reaction is just to listen,” she said — to the Rachmaninoff-esque shading, the mellowness and alluring romanticism. Peck similarly described his étude, the Sixth, in poetic rather than structural terms. And the amount of time the étude takes, it feels like an eternity.”Not everyone has such strong emotional reactions to the études. “What Philip would say is, there’s plenty of other music in the world.”If there is any agreement on the études, it may be about their specific difficulties.
Persons: Childs, , , , Rachmaninoff, Peck, “ There’s, Andres, Philip, Mozart, Davies Organizations: Geffen
The same inevitable supply-and-demand dynamic is about to wash over us again with large language models and generative AI. AI models are trained on masses of data from the past. Humans are good at learning quickly from a small amount of data, while AI models need mountains of information to train on. Soon, human content creators will be vying for attention with content generated by AI models. 'Utility, value and signaling'Hartz, a venture capitalist who now chairs Eventbrite's board, says successful technologists will continue to spend heavily on human experiences.
Persons: , Kevin Hartz, Eventbrite, Taylor Swift, Marc Andreessen, Hartz, John Barone, you'll, Sal Khan, That's, Gates, Michael Larson, Elon Musk's, Morgan Stanley, Jared Birchall, Noam Brown, He's, Mark Zuckerberg, Zuckerberg Organizations: Service, Khan Academy, Menlo School, Sigma, Bloomberg, Meta, OpenAI, Google, Amazon Locations: GPT, Fiji, Palo Alto, Silicon, Menlo
And opera needs works like “10 Days,” which treats the medium with affection and respect while also chafing at its tropes throughout history. For this is an opera that jerks between beauty and terror — seamlessly under the baton of Daniela Candillari, leading an ensemble of about a dozen instrumentalists. The patients (members of Opera Philadelphia Chorus, led by Elizabeth Braden) can sing the same hymn with serenity in one scene and chaotic dissonance in the next, with few indications of which is the truer rendition. The most tragic of the patients is Lizzie (the mezzo-soprano Raehann Bryce-Davis, who sings with a lush and moving elegance that would make her ideal for mid-20th century American opera). Her repetitive ramblings come into logical focus with a long, crushing aria about the death of her daughter.
Persons: Nellie Bly’s, , Bly, Daniela Candillari, Elizabeth Braden, Josiah Blackwell, Will Liverman, Joanna Settle’s, Andrew Lieberman, Kiera Duffy, Lauren Pearl, Raehann Bryce, Davis, Lizzie doesn’t, She’s Organizations: Opera Philadelphia, Academy of Music Locations: Roosevelt
But the idea of mounting, say, Mahler’s “Kindertotenlieder” didn’t appeal to Guth. “If you have this huge orchestra, it will be the same structure you have at a normal concert,” he said. “So, how to get this very specific situation of not being in the opera house or concert hall? We thought it would be great to have in this huge hall just this lonely singer exposed.”They arrived at the idea of a song recital. “It’s a thrilling space to put anything in, and in a way it’s your responsibility to do justice to it.
Persons: , Guth, Schubert, ” Guth, ” Levine, ” —, gesturing, , I’ve, it’s Organizations: Armory, Metropolitan Opera
While that insurance is for a 2022 Porsche Taycan, even friends of his who drive lower-end models are paying more for car insurance, he told CNN. Yet he's seen his car insurance rates increase from $140 a month in 2020 to his current rate of $278 a month. Car insurance rates are increasing for a variety of reasonsTwo months ago, Nationwide notified Darnell Coates-Clark, 55, an EMT based in Baltimore, that he would be hit with a 33% increase in his car insurance. He acknowledged he doesn’t have “stellar credit,” which is known to impact car insurance rates. Darnell Coates-Clark saw his monthly car insurance rates double over the past two years.
Persons: Kyle Barone, Barone, didn’t, USAA, He’s, , , hasn't, he's, haven’t, Darnell Coates, Clark, Coates, ’ ” Coates, hasn’t, Ryan Ankrom, Clark USAA, Andrew Femath, Stephen Crewdson, Hurricane Ian, Robert Passmore, Crewdson, ” Crewdson, Betsy Stella, Insurify, what’s, “ I’ve, “ I’m, I’ve Organizations: New, New York CNN, Volvo, CNN, Porsche Taycan, Norwegian Cruise Line, Kyle Barone Drivers, Sunshine State, Nationwide, P Global Market Intelligence, Casualty Insurance Association, National, Traffic Safety Administration Locations: New York, United States, Florida, Jacksonville , Florida, Tampa, Norwegian, Sunshine, Southwest Florida, Baltimore, Maryland, Hurricane
What the soprano Julia Bullock loves about Kurt Weill’s music, she said during her recital at the Park Avenue Armory on Monday, is how it spins the personal into the universal. Even in her selection of this composer’s work: Weill, an exile artist whose sound exemplified Weimar Berlin before helping to shape Broadway’s golden age, was split between two countries. On the one hand, the evening was quintessentially her, in vocal character and preoccupations with historical and musical connections. The Board of Officers Room at the Armory, one of the most intimate and ideal spaces for vocal recitals, is also particularly well-suited to Bullock’s specific sound. At its fullest, her instrument can engulf an auditorium, but she keeps those moments in reserve; her performances are not defined by their size.
Persons: Julia Bullock, Kurt Weill’s, Weill, Bullock, John Arida Organizations: Armory Locations: Weimar Berlin, Germany
This is a season of transition for two of New York’s most important arts institutions. And Jaap van Zweden, the New York Philharmonic’s music director since 2018, starts his final year in the position with help from Yo-Yo Ma, Steve Reich and Schubert. Grand orchestras like the Chicago Symphony and Staatskapelle Berlin at Carnegie Hall; the Emerson String Quartet’s farewell; and premieres by Kate Soper and Ted Hearne are among the other highlights coming this fall. And Matthew Ozawa’s staging for Detroit Opera aims to be a corrective to stereotypes about Japanese women and culture (Oct. 7-15). DEATH OF CLASSICAL The impresario Andrew Ousley’s bleakly winking concert series, performed in crypts and catacombs, includes the Calidore Quartet, which will present Beethoven’s Op.
Persons: Jake Heggie’s, Malcolm X ”, Florencia, Jaap van Zweden, Ma, Steve Reich, Schubert, Kate Soper, Ted Hearne, Phil Chan, Matthew Ozawa’s, PERELMAN, , Mahani Teave, Andrew Ousley’s bleakly, Lowell Liebermann’s, Maxim Lando, Bach’s “ Goldberg, Hanzhi Wang, David Lang’s Pulitzer, Organizations: Metropolitan Opera, York, Chicago Symphony, Berlin, Carnegie Hall, Emerson Colonial Theater, Detroit Opera, Trinity Church Wall, Easter Locations: el Amazonas, Boston, American
It helped — a lot — that by then she had met Soloman Howard. In 2016, Pérez starred as Juliette in “Roméo,” and her colleagues included Howard, a bass-baritone, as the duke. At one point, Santa Fe Opera asked Pérez to tape herself singing “Song to the Moon” from “Rusalka,” and Howard said, “‘We are going to make a video,’” she recalled. She doesn’t really remember that night — “I was out of my body” — but others do. Gelb, who said, “You can’t fake Verdi,” remembered her sounding “absolutely magnificent.” Nézet-Séguin, called it “a performance for the ages.”
Persons: Peter Gelb, , Pérez, “ Simon Boccanegra ”, Soloman Howard, Juliette, , Howard, Ball, ’ ”, Gelb, Verdi Organizations: Met, Vienna, Santa Fe Opera, Goods Locations: Santa Fe, Chicago, Santa,
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